Working in the grounds of the mill and the surrounding private nature reserve we will focus on producing a series of completed landscapes by direct observation. For those nervous of working out in the open the secluded location is ideal, at the end of a long track down into one of Suffolk’s beautiful ‘hidden valleys’ between Constable’s Stour Valley and Gainsborough’s home town.
September 2013, 10am – 5pm with the option of staying on in the evening
Where: Assington Mill, Assington, Suffolk, CO10 5LZ
What: Take a look at the pdf brochure
People often ask about the best equipment for plein air painting so here is a look at my kit and some links to suppliers.
I have two kinds of easel that I use outside: a French Easel and a panel/palette holder on a tripod.
The French easel is the one that looks most like a traditional easel. It’s made of wood, has a tray on the back to rest my brushes, brush washer/turps can etc. There is a drawer at the front to store tubes of paint and the palette sits on top of this. It’s a very versatile piece of kit that can support anything from a tiny board a few inches high to large canvas four feet across.
I also have a more lightwight kit in the form of a Palette/Panel Holder from Open Box M. This sits on a tripod with a quick release plate and has a small shelf for brushes, dipper etc. A spring clamp system holds panels up to 20 inches across.
The tripod I use with my pochades and Open Box M panel holder is a Velbon Ultra Rexi L. It’s light weight, packs up small and is very sturdy. The legs are able to open out wide which is great for setting up in windy locations and when set up normally it takes up very little room – ideal for street scenes. I recommend using a tripod head with a quick release plate as that allows you to set up and dismantle your kit quickly. I have found a small Manfrotto ball head is ideal, it’s compact in size and rock solid.
Last November on my annual trip to paint in Venice I was joined by quite a few friends from the UK, Spain and even the US.
There were 13 of us in all and this is a short film I made between paintings. We are all in it somewhere although I didn’t catch everyone painting.
It is intended to be a reminder of the trip for those that were there but I though I would also share it with everyone else.
It’s in 720HD so watch it full screen and turn up the sound. I hope you enjoy it.
Paintings by myself and several others on the trip are on show at the Mine Gallery in Carshalton. Impressions of Venice runs until 30 March 2013.
Artists on the film that are in the show are:
Saturday Morning in Hammersmith.
8×10 inches, oil on board.
The warm summer mornings seem to draw everyone down to the river. This view towards Hammersmith Bridge and The Rutland Arms was painted from Furnival Gardens. One of the challenges of painting on location is capturing moving figures. Fortunately, fine days on the embankments of the River Thames provide the artist with a countless stream of figures to paint.
I have just designed a new cover for the romantic comedy Flights of Angels.
Flights of Angels is, as you have probably realised, by my wife, Victoria Connelly. It was originally published in Germany where it was a bestseller and it was later was adapted into a film for SAT1 television.
A scene from Himmlischer Besuch für Lisa.
Although written in English it has only been available in German until now. You can download the English version from Amazon – Flights of Angels
Spring in Oxford, oil on linen, 20 x 24 inches (50 x 60cm)
Above: the painting nearing completion. As usual, this picture was painted entirely on location. There was a gap of two weeks between beginning the painting and going back to finish it. You will notice that when I started (photo below) the trees were bright pink with blossom. When I returned for the second session they had turned green, fortunately I had got far enough with the trees to have got away with it!
Ken Howard has been in the news this week. He has been moved on twice recently while painting the streets of London. Details in The Telegraph.
Ken Howard painting in Richmond
I also paint in the streets of London. In my experience most people are very happy to see artists at work. It seems to be private security, under the direction of CCTV controllers, that try to move you.
I usually try to stand my ground. After a polite chat they will often relent and I can carry on with my work.
The South Bank however is a wonderful place to paint. I have found the management and security guards of The Southbank Centre have a friendly attitude to artists. The buskers, artists, skate boarders and the Golden Carousel all add to the wonderful atmosphere and nothing beats a walk along the river on a sunny afternoon or evening.
Above: The Golden Carousel on the South Bank by Roy Connelly.
Oil on board, 10×20 inches. Private Collection.
Royal Society of Marine Artists
11th – 20th October 2018
Capturing The Moment
16th – 20th October 2018
51 Southwark Street
London SE1 1RU
Affordable Art Fair
17th - 21st October
London SW11 4NJ
Denton Fine Art
I'm pleased to now be showing with this prestigious new gallery in Lavenham, Suffolk.
Paintings are available directly from me in Suffolk or from a small number of Fine Art Galleries in London, Cornwall, the South of France and the Isle of Wight.
Prices range from £350 - £3,000.
Please visit the 'Galleries' or 'Contact' pages above.