Roy Connelly

I rarely paint inside, prefering to work ‘en plein air’.  This week I have been painting some larger studio pictures from my location studies so I thought I would share these photos taken around my studio.
Click to view full size. See below for details of my favourite suppliers of oil painting equipment and materials.

I always use the best quality materials when I am painting.  Here is a list of my favourite suppliers and what I buy from them:

Bird and Davis The UK’s oldest artists’ stretcher frame manufacturers and suppliers of best quality linen canvas.

C Roberson and Co High quality oil painting mediums and gilding supplies.  Founded in 1810 – past customers include Turner, Whistler and Sargent!

Cornelissen and Sons Artist’s Colourmen since 1855.  The best looking art shop in london. Brushes, goldleaf and other bits and pieces.

Gold Leaf Supplies Online seller of gold leaf and gilding supplies

Michael Harding Handmade artists’ oil colours

Old Holland Highly pigmented oil paints made to traditional formulas

Rosemary and Co High quality handmade brushes from Yorkshire

Winsor and Newton Professional quality artists’ oil colour

Yesterday I visited Room A at the National Gallery.  This little known room is rarely visited as it is only open for a few hours each Wednesday afternoon.  It houses around 800 pictures.  I was there to see the gallery’s collection of works by Eugène Boudin.  I made sketches of several of them – the one shown here is a beach scene at Trouville.

In the evening I visited the historic Life Room at the Royal Academy, for two hours of  drawing from the model with the New English Art Club Drawing School.

Next time you are in London on a Wednesday you know what to do.

I have work in two exhibitions in London at the moment.  ‘London Seen’ is a group show of London paintings at Llewellyn Alexander Fine Paintings.

‘Venice in Peril’ is also a group show,  in this case featuring paintings of Venice.  This popular annual exhibition, at W.H. Patterson in Albermarle Street, helps to raise funds for restoration projects in that most beautiful city.

At Venice in Peril there are works by Ken Howard, Auguste Bouvard, Ivan Lapper, David Sawyer, Robert E Wells, Roy Connelly, Jonathan Trowell, John Stillman and other talented artists.

London Seen features Tom Coates, Bruce Yardley, Roy Connelly, Liam O’Farrell, Terry McKifragan, Robert E Wells, Fraser King and others

If you fancy seeing both wonderful cities in a day, its only a short 20 minute walk between the two galleries.

London Seen Llewellyn Alexander Fine Paintings
11 January – 10 February 2010

Venice in Peril W. H. Patterson
13 January – 5 February 2010

The paintings above show the view from Riva Degli Schiavoni in Venice with San Giorgio on the left and the Doges Palace (under scaffolding) on the right,  Santa Maria Della Salute is in the distance.

Below that is a view of Cleopatra’s Needle by the River Thames in London.

A couple of photographs from my latest trip to Pembrokeshire.  The top one shows Broadhaven beach covered in snow and below it you can see me painting in the Preseli Hills – very well wrapped in layers of fleece and Gore-Tex!

I spent the yesterday painting the snow at Harefield, Great Missenden and  somewhere in the Chilterns (above) – warming up in the car as I travelled between locations.

The wet snow was mixing with the paint on my palette.  Titanium white soon resembled ice cream and my brushes froze but it was a good day.

I will post some photos of the paintings later.

Exhibition preparations were put on hold yesterday because it snowed.  I spent the whole day out painting instead of framing and labeling pictures.  The painting above was one of five.  It measures 16 x 20 inches and is in oil on board.

Last night I painted the wonderful German Christmas market on the Southbank in London.  Here you can see a couple of small paintings on my easel.

The plan was to paint in Trafalgar Square at night after the rain.

The rain stopped for just long enough for me to set up and start painting.  But, 25 minutes into the picture the rain became so heavy I had to pack up.  You can see how far I got in the picture above.

Above: Rain water on my palette.

The New English Art Club (NEAC) annual open exhibition opens on Friday 27th November.  I am pleased to once again have work in this prestigious show.  Early exhibitors in this exhibition include Claude Monet and Edgar Degas along with Walter Sickert, James McNeil Whistler, John Singer Sargent and Philip Wilson Steer.

Above: Stainforth Autumn Morning, oil on board, 4×10 inches.

If you can’t make along in person or want to make sure that special picture doesn’t get bought before you get there, most of the paintings in the exhibition can be seen and purchased online now. 

Above: Newgale Beach, Pembrokeshire. 8 x 20 inches, oil on board

I was back in Pembrokeshire, West Wales, last week.  And, being a plein air painter, there was a lot of weather to contend with.  Frequently the best painting weather – ie. when it wasn’t actually raining – came in the last hour or so before dusk. But working fast against the fading light in wild locations is one of the great things about being a landscape painter.

Above: Me painting after sunset on a calm evening at Newgale.

We visited artist Naomi Tydeman and walked our dogs on the beach and out to Monkstone Point at sunset before an unforgetable dinner.   Later in the week we met up for a meal with thriller writer Scott Mariani at his country house in a secret location in the wilds of West Wales.

I snapped this shot of the figure above walking across the sand or was it the sky at Newgale Beach. Below is another view of the same wonderful beach.