Author name: Roy

More Snow – A painter’s guide to staying warm.

I have been painting out in the snow again so thought I would pass on a few tips to keep you warm on your winter plein air painting trips.

The key to staying warm when you are painting in the cold is to dress in layers.  Several thin layers will trap more warm air than one thick layer and can be easily adjusted to suit changes in temperature.  Start with a synthetic (or silk)  base laser with long-sleeves –  I use Paramo‘s excellent and seemingly everlasting thermal clothing.  Next, a number of thin mid-layers, fleece jumpers etc, and finally a water/wind-proof outer layer.

A lot of heat is lost from your legs, so fleece-lined trousers like those made by Craghoppers and Rohan will really help to keep you warm.  Otherwise, get some long-johns.  A pair of waterproof over-trousers can be useful too if it is raining or windy, or just as an extra layer on very cold days.

Don’t forget to wear a hat!  Mine is fleece lined and waterproof, with a peak to keep the low winter sun out of my eyes.  Most importantly it has ear flaps!

I usually wear gloves to paint in winter.  I use thin liner-gloves. These are designed to be worn inside mittens or over-gloves but they are warm enough to be worn on their own and thin enough not to interfere with brush handling.  If it is very cold I will wear another thin pair over the top.

A thermal neck warmer is a great asset.  If your neck gets cold you tend to hunch up your shoulders – making it difficult to paint.  Avoid scarves if you don’t want the end to dangle in your paint!

The secret to warm feet in the snow? Make sure your boots really are waterproof.  If the damp gets in your feet are going to get cold.  I use Muck Boots which are completely waterproof and have a good solid sole.  Avoid ordinary wellies, they might be waterproof but they are not designed to keep you warm.  If you wear leather walking boots make sure they are regularly treated to maintain their waterproofness.  Thermal socks are essential and it’s important to make sure your boots are big enough – you should be able to wiggle your toes even with a thick pair of socks on.

As well as having the right equipment it is also important to make sure you have food and drink with you.  A flask with a hot drink can be a life-saver, but don’t forget that even just drinking water will keep you hydrated which in turn will help your circulation and keep you warm.

After an hour and a half working on this picture my feet were just as warm as when I started and if it wasn’t getting dark I would have carried on with another painting.

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Painting Venice at night

Painting Santa Maria Della Salute at night.

I recently spent a few days painting in Venice with fellow plein air painters; David Bachmann, Paul Rafferty and Karl Terry.   This photo was taken on the day I arrived.  I had been up since 3am to drive to Gatwick in the snow and not even darkness was going to stop me painting.

It was an eventful trip with flights home cancelled by the snow in the UK and an unusually high acqua alta of 140cm left more than 55% of Venice flooded.

Rising water in the Piazzetta San Marco

Painting the Salute in the rain.

The fishmarket at night. Oil on board, 10×8 inches.

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New English Art Club 2010

Dipper - oil painting by Roy ConnellyDipper. Oil on board, 4 x 10 inches.

Palette Knife. Still-life oil painting by Roy ConnellyPalette Knife. Oil on board. 4 x 10 inches

I am very proud to be showing with the NEAC again this year.  I have shown in this prestigious exhibition for the last 6 years. This year, for the first time, I sent in some little still life paintings to show that I do occasionally paint subjects other than my plein air landscapes.  I was delighted that the judges liked them.

The day I painted these pictures I had gone in to my studio to paint a large picture from one of my location studies.  But, as I looked at the dipper sitting on my palette I became intrigued by the way it seemed to blend in with it’s surroundings.  Layers of old paint have built up over the years creating a patina-like finish on both the palette and the dipper.  I realised that it could be painted by reproducing the colour, tone and shape of each mark.

These paintings and many of the others in the show can now be seen and purchased here.

New English Art Club.
Mall Galleries, London SW1.
26 November – 5 December 2010

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The Old Gaol Studios

Cell door in the old village gaol.

I delivered my paintings to The Old Gaol Studios on Saturday.  The exhibition, which opens on Friday evening, is the first to be held in the newly restored village gaol in the Kent village of Wittersham. The artists taking part are: Karl Terry, Chris Daynes, Rowan Crew, Roy Connelly, Peter Robson, John Stillman, Michael Richardson, David Bachmann and Trevor Chamberlain.

oil painting by Roy ConnellyPagham Harbour, Sussex. Oil on board, 12×16 inches

Please contact me if you would like an invitation to the Private View.

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Affordable Art Fair and Dolphin House Anniversary

The Affordable Art Fair in London runs from 21 to 24 October.  Island fine Fine Arts (stand E6) will have a collection of my oil paintings of London, including The Tattershall Castle (above).

I will also be exhibing in Devon again this month.  Dolphin House Gallery in Devon is twenty years old and to celebrate they are holding an anniversary exhibition.  The gallery is home to the work of master print maker Roger St Barbe invited artists.  Twenty artists who have shown there over the years will feature in the show.  The exhibition opens on Saturday 23 October. Contact the gallery for more information.

All of my free tickets to the Affordable Art Fair have now gone.  If you would like to be among the first to hear of my upcoming exhibitions, news etc – why not sign up for my newsletter or email me.

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River Thames wins prize

Above: Molly tastes the water while I paint nearby.

The River Thames has won the 2010 Thiess International River Prize.  The world’s largest environmental award was given to the Environment Agency for its outstanding achievement in river management and restoration.  The $350,000 AUD prize will go to The Thames Rivers Restoration Trust.

The Thames was declared biologically dead in the 1950’s  but has recovered to the point where 125 species of fish have been recorded and sea trout, salmon and otters are returning.

In the last week I have spent three days painting by the Thames – two days between Marlow and Henley (see photos) and one day in central London.  Its a great place to work!

Painting by the River Thames.  The picture on the easel is 24×30 inches, in oil on linen.

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