The Art of French Easel Maintenance

I own quite a few easels but the ones that get the most use are my French box easels. I have an Italian French easel made by Mabef and a French one by Jullian. The easel in these pictures is my Jullian half box and it is about 18 months old. It has to put up with a lot as it is in use everyday – often in the rain one day and in the baking sun or freezing cold the next, so I think is is important to maintain it regularly. Looking after your easel need not be too much of a chore and should ensure you get the most from it.

It can be surprising how much sand will stick to your easel if you paint at the beach. If you don’t remove it the sand will wear away at the threads so brush it off and oil the thread. I use 3in1 oil. You should really do this after each beach trip but I sometimes forget – until I feel the sand crunching in the threads!

easel-1

Recently the front panel had started to pull apart from the rest of the box. To fix this I applied a few drops of wood glue to the dovetail joints and gently tapped it back together, then wiped off the excess glue and left it to dry overnight.

easel-2 easel-3

One problem with these easels is that the screws holding the hinges at the front of the box work loose and the top of the easel wobbles about when you are trying to paint. I keep a small screw driver in the kit to fix this but recently the screws no longer tightened up at all. The solution was to remove the hinges and pack the over-sized holes with thin strips of wood and wood glue. I let it dry overnight then cut off the excess wood flush with the sides of the box and re-drilled the holes. I replaced the screws with larger ones and this seems to have done the trick.

easel-4

easel-5

An addition that I have made to both of my French easels is the screw shown by the arrow in the picture below. This strengthens a joint that seems prone to coming apart, especially if you accidentally close the top with the drawer slightly open. Add one at each end of the cross piece.

easel-6a

French easels are usually made from oiled beech. To preserve the weather proofing of the wood simply wipe it with linseed oil once a year. And don’t forget to clean the palette occassionally.

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Big Ben Paintings

embankment-towards-westminster

savoy_pier_bright_light

Big Ben is one hundred and fifty years old. On this day in 1859 the Great Bell was struck for the first time.  Originally it was only the bell that was known as Big Ben but most people now use the name to refer to the clock tower as well.

Painting outside in London, I have painted the clock tower many times and it can can be seen in the back ground of the pictures above.

French Impressionist Claude Monet painted Big Ben when he visited London the 1870’s. You can see his picture The Thames Below Westminster at the National Gallery in London.

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Recent Painting trips

I have been very busy recently and thought I should post a few photos from my recent painting trips:

Working by the Thames at the Henley Regatta…

Henley Regatta

Waterloo Bridge at sunset…

waterloo_bridge_sunset

Painting a stately home in Oxfordshire last week I had to retreat into the temple to avoid the rain…

temple_folly

Painting Waterloo Bridge and the city from Hungerford footbridge…

on_hungerford_bridge

A closer shot of the painting in situ…

waterloo_bridge_and_city

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Chelsea Art Society Painting Award

St Michaels Mount_by Roy Connelly At Chelsea
Chelsea Art Society Award for a Painting - St Michaels Mount

 

This evening was the private view for Chelsea Art Society’s 62nd Annual Exhibition. I am very pleased to say that I won the Chelsea Art Society Award for a Painting for my picture of St Michael’s Mount in Cornwall.  The society, which was formed in 1910, holds its annual exhibition in a beautifully panelled hall in Chelsea Old Town Hall on the Kings Road in London.

chelsea_old_town_hall
Chelsea Old Town Hall
The exhibition runs until Sunday 21st June and is open daily 10am-7pm. Closing at 1pm on the final day.

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London’s Salon Des Refusés

 

The summer show at Llewellyn Alexander Fine Paintings opens on Monday 8th June. Titled Not the Royal Academy 2009, this fine exhibition is London’s answer to the Salon des Refusés.

Every painting is for sale and may be taken by the buyer straight away, creating space for another to be displayed. Paintings will be on show for three weeks, after which new work will be hung.

Last year I was very pleased to hear that my painting of Kensington Gardens was the first to sell when the exhibition opened.

 LLEWELLYN ALEXANDER GALLERY
124-126 The Cut, Waterloo, London SE 1 8LN UK
(Opposite the Old Vic Theatre)
Tel: 020 7620 1322/1324 Fax: 020 7928 9469
e-mail enquiries@NotTheRoyalAcademy.com

The Gallery is open from 10am until 7.30pm. Monday to Saturday.

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Sunny Sunday Afternoon

The hottest day of the year so far and I have just spent a very enjoyable afternoon at the studio of Bob Brown NEAC. Set in beautiful rolling English countryside beside a very paintable river, Bob has the perfect studio.  It was completely filled with an exhibition of his richly coloured landscapes.

 Ken Howard and Richard Pikesley, another two of my favourite painters, were also there, along with many other friends. Many thanks to Bob and Sue for their wonderful hospitality.

Afterwards I spent an hour painting painting the nearby river, one of Englands most beautiful chalk streams.  While I was painting a mayfly settled on my hand among the brushes. 

8 x 10 inches, oil on board
A quick sketch - 8 x 10 inches, oil on board

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John Dobbs Exhibition

I went down to Hampton Court to see the latest exhibition of paintings by my friend John Dobbs

The show, which looked fantastic, features oil paintings of the River Thames and the areas around Hampton Court. It’s on until 7th June.

Fountain Gallery, Bridge Road, Hampton Court, East Molsey, Surrey, KT8 9HA.

Ducks at Molesey by John Dobbs
Ducks at Molesey © John Dobbs 2009

 After John’s exhibition I went down to West Wittering, one of my favourite beaches, were I painted the pictures shown below.

Paintings on my easel, 6 x10 and 5 x 12, oil on board
Paintings on my easel, 6 x10 and 5 x 12, oil on board

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Chicken Sitting

Pecasso
Pecasso

Just returned from a wonderful time painting in Kent – the Garden of England.  We were house and chicken sitting for a friend.  While there I was under strict orders, from my wife, to paint the chickens.  They took great interest in my painting equipment and brushes as you can see.

More picture to follow in the next few days.

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A day in London

ready2goToday I delivered 5 paintings to Llewellyn Alexander (Fine Paintings) Ltd in London.  I travelled in on the tube with my trusty box easel and paint bag as well as the framed paintings.  I had wondered how I would get everything there and in the end I put the pictures in a large portfolio for extra protection.

I met up with fellow artist Richard Price and we each painted a couple of small pictures in Trafalgar Square. The light was good despite the sun going in and out all day and the wind that did its best to blow debris on the wet paint.

Landscape painter Karl Terry spotted us on his way home from the Chelsea Flower Show and his wife found herself painted into our pictures. Thanks Jo for being so patient!

Thanks also to Lucy for the squeeze of cadmium red 😉

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